USB Movie Reviews

BDSM Exposed - Society’s Secret Subculture

BDSM can be described as a subculture or alternative lifestyle choices for adults with particular tastes toward bondage, discipline, fetish, kink, and sado masochism culminating in consensual power play, pain and pleasure by its participants to enhance an erotic relationship. The term BDSM literally means: bondage and discipline, sadism and masochism.

The dynamics of a BDSM relationship are characterised by its participants adopting the consensual roles of slave or submissive, and surrendering themselves to the domination of a Mistress or Master for erotic gratification between both parties. It is important to emphasise however, that there is a widely recognised and respected code of conduct for activities undertaken within the realms of BDSM and sado masochistic play which is “safe, sane and consensual” at all times during a scene. The basic principles of BDSM require that it be performed by responsible partners, of their own free will and in a safe way which means that everything is based on safe, sane and consensual behaviour of all parties. This mutual consent highlights a clear legal and ethical distinction between BDSM and crimes such as sexual assault or domestic violence.

BDSM encompasses a broad spectrum of activities such as bondage, discipline, slave training, spanking, CBT, nipple torture, electro torture, anal play, strapon, fisting, humiliation, spanking, corporal punishment, slapping, spitting, needle play, hot wax, forced feminisation, sissy slut training, water sports, foot worship, stiletto worship, boot worship, trampling, mummification, to name a few.

Classically, some of the props of the trade are gags, whips, crops, paddles, ropes, cuffs, collars, straight jackets, straps and hoods, and indeed the Dominatrix or Master being the ultimate tool and driver of the kinky scenario.

Until the mid-nineties, the BDSM and fetish subcultures were still largely underground communities, however social acceptance swiftly escalated due to the prevalence of material available via the internet. It seems the internet has revolutionized our sex lives and provided us the luxury of exploring our darkest desires in the privacy of our own homes with downloadable BDSM, fetish and femdom movies at the click of a mouse.

These domination and femdom themed movies are likely to portray men and women experiencing various forms of bondage, discipline, punishment and torture and being consensually “forced” to endure submission, humiliation or sexual slavery by a femdom or master applying various methods of torture, punishment and discipline. Oh and yes, if you’re wondering, statistics show that a lot of people like it. Whether they are physically on the receiving end from their adored masochist or satisfying their individual fetish and kinks by watching BDSM, femdom and fetish movies, chances are there are a lot more people aroused by this secret world than they would openly admit.

The internet also paved the way for like-minded people to communicate not only locally, but world wide which in turn triggered an explosion of interest and knowledge of BDSM, kink, fetish and S & M. In addition, there has also been an explosive demand for traditional sex shops and online adult toy companies to stock fetish toys and fetish fashion, offering leather, latex, rubber and PVC.

Fortunately, the blossoming of websites offering BDSM movies has been a godsend for those curious, shy little creatures with no means of fulfilling their desire for slave training and servitude in the real world enabling them to explore their inner slave. Now they can download a session with an international BDSM Mistress and take all the punishment their little heart desires at a safe distance without those little telltale torture marks that tell their partner they have a penchant for a Femdom Mistress.

What is Abstract Art?

Abstract Art is a wide movement in American painting that began during the late forties and became a preferred trend in Western painting through the 1950s. The most prominent American Abstract Expressionist painters were Jackson Pollock, Willem de Kooning, Franz Kline, and Mark Rothko. Others included Clyfford Still, Philip Guston, Helen Frankenthaler, Barnett Newman, Adolph Gottlieb, Robert Motherwell, Lee Krasner, Bradley Walker Tomlin, William Baziotes, Ad Reinhardt, Richard Pousette-Dart, Elaine de Kooning, and Jack Tworkov. The majority of the artists worked, lived, or had their work shown in New York City.

Despite the fact that it is the generally accepted designation, Abstract Expressionism is not the correct title of the pieces created by the aforementioned artists. Actually, the movement comprised many different painterly styles that differentiated in both technique and quality of application. Despite this variation, Abstract Expressionist paintings possess several broad aspects. They are basically abstract — that is, they show forms that were not drawn from the outer world.

They furthermore display open, spontaneous, and personal emotional expression, and they show high freedom of skill and procedure to achieve this result, with special emphasis laid on the exploitation of the variable physical character of paint to call up expressive qualities (e.g., sensuousness, dynamism, violence, mystery, lyricism). They show a similar emphasis on the unstudied and intuitive use of that paint in a sort of psychological improvisation in the style of the automatism of the Surrealists, with the same intent of demonstrating the strength of the creative unconscious in art. They display the neglect of regularly structured composition found by application of discrete and segregable effects and their replacement with a individual unified, unchanged partition, network, or other image that exists in unstructured space. Last, the paintings fill large canvases to create for such aforementioned visual effects both monumentality and engrossing might.

The leading Abstract Expressionists had two original forerunners: Arshile Gorky, who painted sensual biomorphic shapes by using a free, lightly linear and liquid paint procedure; and Hans Hofmann, who used dynamic and powerfully textured brushwork in his abstract but conventionally composed works. Another important influence on nascent Abstract Expressionism was the arrival on the US shores in the late thirties and early forties of a group of Surrealists and other such European avant-garde artists who escaped from Nazi-dominated Europe. Those European artists powerfully impressed the native New York City painters and gave them a detailed insight of the vanguard of European painting. The Abstract Expressionist movement itself is usually regarded as having commenced with the paintings done by Jackson Pollock and Willem de Kooning in the late forties and early fifties.

Keeping in mind the differentiation of the Abstract Expressionist movement, three broad approaches can be seen. One was action painting which is recognised by a loose, rapidfire, dynamic, or strong handling of paint in sweeping or slashing brushstrokes, and in technique in large part dictated by chance, like dripping or spilling paint directly onto the canvas. Pollock initially practiced action painting by dripping commercial paints on the raw canvas creating layered and tangled skeins of paint into stimulating and suggestive linear patterns. De Kooning utilised highly vigorous and expressive brushstrokes building richly coloured and textured images. Kline was known for powerful, sweeping black strokes on white canvas for starkly monumental forms.

The next approach within Abstract Expressionism is exhibited by a number of varied styles starting from the lyrical, delicate imagery and fluid shapes seen in paintings by Guston and Frankenthaler to the clearly structured, forceful, almost calligraphic pictures of Motherwell and Gottlieb.

The third and least emotionally expressive ground was that of Rothko, Newman, and Reinhardt. These painters made use of large areas or blocks of flat colour and thin diaphanous paint to create quiet, subtle, almost meditative works. The leading colour-field painter was Rothko; many of his artworks consist of large-scale combinations of soft-edged, solidly coloured rectangular areas that tend to shine and resonate.

Abstract Expressionism cast a important influence on both the American and European art styles in the 50s. Indeed, the movement sparked the transition of the creative centre of contemporary painting from Paris to New York City during the postwar period. During the period of the 1950s, the the young artists of the movement increasingly came under the style of the colour-field painters. By the 60s, the movement’s young participants had largely drifted away from the hot expressiveness of the action painters.

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